Marian Filar (b. 1917 in Warsaw) was a Polish concert pianist and virtuoso.
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Filar began to study piano at the age of five, and a year or so later he gave his first recital at the Warsaw Conservatory as a wunderkind. When 12 years of age, he played Mozart's Concerto in D Minor with the Warsaw Philharmonic Orchestra. He again played with the Orchestra the following year and gained the interest of Zbigniew Drzewiecki, the noted piano teacher at the Warsaw Conservatory with whom he studied until the outbreak of the Second World War.
Filar was from a Jewish family. He was imprisoned during the Second World War in seven different Nazi concentration camps. In the first death camp - Majdanek - he nearly died from malnutrition and infection. He narrowly escaped being sent to the gas chambers despite his legs being so swollen from malnutrition that he was barely able to stand. After being liberated by the Polish Army he returned to the piano although he did consider studying medicine.
While playing recitals in Frankfurt, Germany for the Allied Forces, he went to Wiesbaden, Germany where he sought advice from the renowned German pianist, Walter Gieseking who told him not to quit piano. Filar studied with Gieseking for five years and toured all over Europe playing recitals and concerts. During this period (1945-50) he also performed very frequently on German and other European radio programs.
He arrived in the United States in 1950, and has lived there since. His American debut was at the Chautauqua Amphitheater where he played Chopin's Concerto in F Minor and received sensational critiques. Invited to join the Philadelphia Orchestra under the direction of Eugene Ormandy he performed regularly in Philadelphia with the Orchestra.
In 1951, Filar recorded renditions of six nocturnes, Chopin's Sonata in B Minor, for the now-defunct Colosseum Record Co. in New York. He made a second recording of 4 preludes by Karol Szymanowski and Etude No 3 in B flat Minor Opus 3, as well as Franciszek Brzezinski's Theme with Variations.
He debuted in Carnegie Hall on January 1, 1952. Filar subsequently continued his career as a concert pianist all over the United States and South America as well as in Europe, while teaching at the Settlement School of Music in Philadelphia from 1953 to 1958. He was appointed to the chair at the Temple University School of Music piano department in 1958. Professor Filar retired from teaching at Temple University in 1988 though he remains an Emeritus Professor in the Boyer School of Music and Dance. In 1992 he went to Poland where he played with the Warsaw Philharmonic Orchestra once again.
In 2002 Filar co-authored a book about his life during and after World War II entitled From Buchenwald to Carnegie Hall', see [1]
| Composer | Piece | Orchestra | Conductor |
|---|---|---|---|
| Chopin | Piano Concerto No. 1 in E Minor | Danish Radio Symphony Orchestra | Erik Tuxsen |
| Chopin | Piano Concerto No. 2 in F Minor | Bavarian Symphony Orchestra | Rafael Kubelik) |
| Tchaikovsky | Piano Concerto in B flat Major{fact} | Washington National Symphony Orchestra | Emerson Meyers |
| Schumann | Piano Concerto in A Minor | Orchestra Sinfonica, São Paulo, Brasil | |
| Chopin | Prelude in D Minor Op. 28 No. 24 | ||
| Chopin | Mazurka in F sharp Minor Op. 6 No 1 | ||
| Tauriello | Toccata | ||
| Chopin | Nocturne: E flat Major Op.9 no.2 | ||
| Chopin | Nocturne: C sharp Minor Op. 27 No. 1 | ||
| Chopin | Nocturne: D flat Major Op. 27 No 2 | ||
| Chopin | Nocturne: E flat Major Op. 55 No. 2 | ||
| Chopin | Nocturne: E flat Minor Op. 72 No. 1 | ||
| Chopin | Nocturne: C sharp Minor Lento con gran espressione (posthumous) | ||
| Chopin | Polonaise in C flat Minor No. 1 | ||
| Chopin | Nocturne in C flat Minor Op. 27 No. 1 | ||
| Chopin | Ballade No. 1 in G minor Op. 23 No. 1 | ||
| Chopin | Etude in E Major Op. 10 No.3 | ||
| Chopin | Barcarolle Op. 60 | ||
| Chopin | Scherzo in B-flat minor Op. 31 No.2 | ||
| Chopin | Mazurka in C sharp Minor Op. 63 No. 3 | ||
| Chopin | Polonaise in A flat Major No. 6 | ||
| Chopin | Fantasie in F Minor Op. 49 |